You may recognise Ariel Posen as the co-presenter in many of our 'Guitar Paradiso' videos on Andertons TV, regularly displaying his tasteful chops alongside Peter "Danish Pete" Honore. Also an established solo artist in his own right, Ariel relies on very particular gear to create his soulful sounds.
Posen'ssignature Hudson Broadcast-AP preamp pedal is an essentialingredient.Providing a smooth yet powerful medium-gain tone that has plenty of low-end grunt,clear upper midsand airy highs;the Broadcast-AP achieves its distinctive character viaa pair of silicon transistors and an OEP transformer that keeps frequencies below 100Hzcleaner than the standard Broadcast pedal can.
Ive been very excited to collaborate with Ariel Posento produce the Broadcast-AP. Its an evolution of the Broadcast, designed to integrate with Ariels unique sound. At the heart of the Broadcast-AP - as the name may suggest - is the same circuitry as the Broadcast. A class-A discrete, transformer-coupled circuit, designed to saturate in a unique way reminiscent of certain recording and broadcast consoles.
We took the low-gain side of the standard Broadcast as the starting point. Together, Ariel and I exchanged the Germanium transistor for a Silicon and used an OEP transformer - the OEP transformer saturates and distorts less below 100Hz compared to the Triad transformer used in the standard Broadcast. These two changes together give the Broadcast-AP a darker, smoother, more powerful tone compared to the standard version. Greater weight in the lows, whilst retaining the open highs and upper-mids, giving the Broadcast a 3D effect.
The control layout features both Level and Gain Trim potentiometers and a switchable high-pass / low-cut filter - 100Hz @ 6dB/oct. The Gain Trim control has 12dB more gain than the low-gain side of standard Broadcast, allowing the Broadcast-AP to cover ground from clean boost through to medium gain overdrive tones. In addition, the gain of the pedal can be increased via an internal trimmer and - when pushed to the max - the sound becomes overloaded, broken and fuzzy. The high-pass / low-cut filter can help keep the low end together, especially when driving amps at higher gain and volume levels.